Our Microphone Solutions
Natural Acoustic Recording
Flat response for natural acoustic recording and reproduction.
- Sensitivity: -40±2dB
- Pattern: Omni-directional
- S/N Ratio: 73dB (Typical)
- Max SPL: 125dB
Instrument-Built Microphone
Directional pickup for built-in instrument microphone applications.
- Sensitivity: -53±2dB
- Pattern: Uni-directional
- S/N Ratio: 50dB (Minimum)
- Directionality: >12dB
Saxophone & Brass
Professional dynamic microphone for saxophone and brass instruments.
- Sensitivity: -56±3dB @1kHz
- Impedance: 600Ω±15%
- Frequency Response: 100Hz-15kHz
- Pattern: Uni-directional
Vibration Pickup
Vibration-sensitive contact microphone for string instrument pickup.
- Sensitivity: -70±3dB
- Pattern: Omni-directional
- S/N Ratio: 40dB (Typical)
- Max SPL: 125dB
Application Scenarios
Flat Response Applications
Model: ECM-B5820AML40-522
Relatively flat response for natural acoustic recording.
- Acoustic instrument recording requiring minimal coloration
- Studio applications where accurate reproduction is critical
- Omni-directional pickup for ambient recording
Directional Instrument Pickup
Model: ECM-B1045UL-53
Uni-directional with specific response characteristics.
- Built-in instrument microphones where directionality reduces ambient noise
- Applications requiring focused sound capture
- Guitar, piano, accordion internal microphone systems
Saxophone & Wind Instruments
Model: ECM-DM2025-2K600
Dynamic microphone specifically for saxophone.
- Saxophone applications
- Brass and wind instrument amplification
- Live performance situations requiring robust dynamic microphone
Vibration Pickup Applications
Model: ECM-B9745AL70-318A
Vibration-sensitive contact microphone.
- String instrument body contact pickups
- Applications requiring direct vibration capture
- Situations where reducing ambient noise is critical
- High SPL environments (125dB Max SPL)
Selection Guide
|
Use Case 59_0caee2-72> |
Best Choice 59_8fbd62-a6> |
Key Benefit 59_6d15de-60> |
|
Studio recording of acoustic instruments 59_aa6e3b-59> |
ECM-B5820AML40-522 59_8d832e-c6> |
Natural, uncolored sound 59_8d8ff2-07> |
|
Built-in microphones for guitars/pianos 59_7b6fb2-1d> |
ECM-B1045UL-53 59_7f2c44-51> |
Focused pickup, less ambient noise 59_814163-b6> |
|
Saxophone or brass instrument 59_66f455-03> |
ECM-DM2025-2K600 59_976c2e-f8> |
Specialized for wind instruments 59_023e98-21> |
|
String instrument pickup/amplification 59_57b847-7f> |
ECM-B9745AL70-318A 59_48a46a-89> |
Direct contact, vibration pickup 59_e08266-af> |
Technical Specifications
|
Parameter 59_d96689-d5> |
ECM-B5820AML40-522 59_4b065b-c5> |
ECM-B1045UL-53 59_a7b5cb-24> |
ECM-DM2025-2K600 59_8bbc4a-aa> |
ECM-B9745AL70-318A 59_752545-0e> |
|
Type 59_e06dd2-e5> |
Electret Condenser 59_9f7d55-97> |
Electret Condenser 59_3005d0-85> |
Dynamic 59_6d4cbb-07> |
Electret Condenser 59_9a4e5c-10> |
|
Directional Pattern 59_f2c039-e8> |
Omni-directional 59_44bfff-23> |
Uni-directional 59_8839be-ad> |
Uni-directional (≥10dB) 59_c13b29-ff> |
Omni-directional 59_d98d36-dc> |
|
Sensitivity 59_42a48b-1b> |
-40±2dB @2.0V 59_c51cca-e3> |
-53±2dB @2.0V 59_fe150f-38> |
-56±3dB @1kHz 59_e182a1-04> |
-70±3dB @4.5V 59_d9df2e-20> |
|
Impedance 59_100145-e3> |
2kΩ Max 59_73562c-58> |
2.2kΩ Max 59_6f7902-23> |
600Ω±15% 59_417484-1f> |
2.2kΩ Max 59_f4295b-e1> |
|
S/N Ratio 59_924832-b8> |
73dB (Typical) 59_2f03d4-1c> |
50dB (Minimum) 59_2e63d8-87> |
– 59_c7be01-0a> |
40dB (Typical) 59_5c690b-3f> |
|
Max SPL 59_d84efc-33> |
125dB (THD≤3%) 59_c422d7-cd> |
110dB (THD≤3%) 59_e224a4-99> |
– 59_d70ac6-c4> |
125dB (THD≤2%) 59_49241e-62> |
|
Operating Voltage 59_fcfb46-c8> |
2.0Vdc (1.0-10.0V) 59_8c0af4-55> |
2.0Vdc (1.0-10.0V) 59_c94073-12> |
– 59_ba1752-b9> |
4.5Vdc (1.0-10.0V) 59_0e7892-80> |
|
Primary Application 59_34cd65-93> |
Natural acoustic recording 59_5a98ea-59> |
Built-in instrument microphones 59_e11854-1a> |
Saxophone & brass 59_ea6f9b-f5> |
Vibration pickup for strings 59_68b57d-ae> |
Instrument Microphone Consultation
Contact us for microphone solutions tailored to your musical instrument needs